Interlude – Brief Catch Up for February

Brief Catch Up for February

leBrun Bather version four Brief Catch Up for February

leBrun Bather version four

Just a very quick post so I’ve got something to show – I’m working on a new post for the Gardens Project, which was just rejected again for funding through ACE.

I’ve revamped the website  – https://www.ian-latham.com and I’ve been working on another project, two pictures below, that I’ll say something about later.

Lemniscate - Front

Lemniscate – Front

This was built in plaster and has been cast but this is the restored original.

lemniscate - Back

Lemniscate – Back

These are for a commission.

I finished the Draw Every Day for January

Began February

And, while I was revamping the website, discovered some older work and made a gallery of it

 

VR Development Gardens Project – Four:

Progress has been slow on the VR Development Gardens Project as I freeze in my garrett and read around the subject. I was struck by a review of Donald Judd by David Salle in the NYRB.

Judd’s chief value as a critic was to point out the obvious: that art is a thing, something that is made. It is not inevitable and doesn’t exist in all times and places equally. There is an objective difference between art and non-art, and a given society will either view art as worth the trouble or not. For Judd, art had certain factual properties, and comprehending a work required first of all observing what is or is not the case, and also a knowledge of art’s history, of how we got to this moment. Furthermore, Judd reminds us that this history is often quite apart from whatever story happens to serve the cultural moment. People obviously feel very differently today: the question is, On whose authority is this history being scored?

Salle, D., 2021. Object Lessons. [online] The New York Review of Books. Available at: <https://www.nybooks.com/articles/2020/12/17/donald-judd-object-lessons/> [Accessed 8 January 2021].

Judd’s chief value as a critic was to point out the obvious: that art is a thing, something that is made. It is not inevitable and doesn’t exist in all times and places equally. There is an objective difference between art and non-art, and a given society will either view art as worth the trouble or not.

Everything comes with a qualification.

I’ve continued reding the Sissinghurst book, particularly struck with Vita Sackville-West’s insistence that the garden be allowed to grow for itself essentially and the aim for minimal intervention. You have to leave to one side the intervention that was done but I like the idea that plants were allowed to spread and the design for the moment rather than for all year round colour.

leaves macquette

leaves macquette

So since the last post I’ve continued to work on the Glover Street Model, firstly testing things out in Miro world and building models for the playground behind the house. I’ve built a slide so far, I need a roundabout and a seesaw. I’ve also continued to look at the paintings and built some sculptures.

lebrun_bather_two_corrections_a

lebrun_bather_two_corrections_a

The lebrun paintings are progressing and hopefully improving.

lebrun_bather_four_corrections_a

lebrun_bather_four_corrections_a

Although these pictures are slightly out of focus.

But it is difficult to get motivated enough to really press on, I’m wearing my woolly hat and gloves in the attic even with two heaters on from 7:45.

The sculptures have provided a breakthrough for the Glover Street Playground that will translate into low poly models.

VR Development Gardens Project

leaves maquette detail

VR Development Gardens Project

leaves maquette detail

As usual I’ve continued to draw every day.

Gardens Project Three

I’ve been thinking about how little you learn as you get older and how difficult retaining any new information is. Generally repeating an action whilst paying attention to it will result in an increase of expertise, in the acquisition of skills there are four stages to this. Unconscious Incompetence, Concious Incompetence, Concious Competence and Unconcious Competence. Personally I think painting and drawing bash their heads against Concious Competence and bounce back into Concious Incompetence on the rebound before gathering to go again. It often feels as if I’m getting worse at the things I’m doing every day.

Hence the desire to teach myself to paint to explore my lack of ability.

lebrun bather (one)

lebrun bather (one)

lebrun bather (two)

lebrun bather (two)

lebrun bather (three)

lebrun bather (three)

lebrun bather (four)

lebrun bather (four)

The four paintings are all the same figure, copied from a LeBrun by painting freely, no drawing or plotting – apart from squaring up on the third one. They get gradually worse I think. Anyway I have a way forward that I’m going to pursue.

In the meantime I’m reading a book about Sissinghurst I got for Christmas and continuing to learn about Unity and VRTK while I develop the garden project.

The video shows that I can pick things up now and make doors that you have to open!

And I’ve continued to produce a sketchbook drawing a day.