VR Development Gardens Project – Four:

Progress has been slow on the VR Development Gardens Project as I freeze in my garrett and read around the subject. I was struck by a review of Donald Judd by David Salle in the NYRB.

Judd’s chief value as a critic was to point out the obvious: that art is a thing, something that is made. It is not inevitable and doesn’t exist in all times and places equally. There is an objective difference between art and non-art, and a given society will either view art as worth the trouble or not. For Judd, art had certain factual properties, and comprehending a work required first of all observing what is or is not the case, and also a knowledge of art’s history, of how we got to this moment. Furthermore, Judd reminds us that this history is often quite apart from whatever story happens to serve the cultural moment. People obviously feel very differently today: the question is, On whose authority is this history being scored?

Salle, D., 2021. Object Lessons. [online] The New York Review of Books. Available at: <https://www.nybooks.com/articles/2020/12/17/donald-judd-object-lessons/> [Accessed 8 January 2021].

Judd’s chief value as a critic was to point out the obvious: that art is a thing, something that is made. It is not inevitable and doesn’t exist in all times and places equally. There is an objective difference between art and non-art, and a given society will either view art as worth the trouble or not.

Everything comes with a qualification.

I’ve continued reding the Sissinghurst book, particularly struck with Vita Sackville-West’s insistence that the garden be allowed to grow for itself essentially and the aim for minimal intervention. You have to leave to one side the intervention that was done but I like the idea that plants were allowed to spread and the design for the moment rather than for all year round colour.

leaves macquette

leaves macquette

So since the last post I’ve continued to work on the Glover Street Model, firstly testing things out in Miro world and building models for the playground behind the house. I’ve built a slide so far, I need a roundabout and a seesaw. I’ve also continued to look at the paintings and built some sculptures.

lebrun_bather_two_corrections_a

lebrun_bather_two_corrections_a

The lebrun paintings are progressing and hopefully improving.

lebrun_bather_four_corrections_a

lebrun_bather_four_corrections_a

Although these pictures are slightly out of focus.

But it is difficult to get motivated enough to really press on, I’m wearing my woolly hat and gloves in the attic even with two heaters on from 7:45.

The sculptures have provided a breakthrough for the Glover Street Playground that will translate into low poly models.

VR Development Gardens Project

leaves maquette detail

VR Development Gardens Project

leaves maquette detail

As usual I’ve continued to draw every day.

Gardens Project Three

I’ve been thinking about how little you learn as you get older and how difficult retaining any new information is. Generally repeating an action whilst paying attention to it will result in an increase of expertise, in the acquisition of skills there are four stages to this. Unconscious Incompetence, Concious Incompetence, Concious Competence and Unconcious Competence. Personally I think painting and drawing bash their heads against Concious Competence and bounce back into Concious Incompetence on the rebound before gathering to go again. It often feels as if I’m getting worse at the things I’m doing every day.

Hence the desire to teach myself to paint to explore my lack of ability.

lebrun bather (one)

lebrun bather (one)

lebrun bather (two)

lebrun bather (two)

lebrun bather (three)

lebrun bather (three)

lebrun bather (four)

lebrun bather (four)

The four paintings are all the same figure, copied from a LeBrun by painting freely, no drawing or plotting – apart from squaring up on the third one. They get gradually worse I think. Anyway I have a way forward that I’m going to pursue.

In the meantime I’m reading a book about Sissinghurst I got for Christmas and continuing to learn about Unity and VRTK while I develop the garden project.

The video shows that I can pick things up now and make doors that you have to open!

And I’ve continued to produce a sketchbook drawing a day.

Gardens Project One

In preparation for the effort that will go into the VRD Gardens piece – I’m increasingly against the ‘et in arcadia ego’ working title (too pretentious even for me) – I’ve been working on a small world I use as a test bed for learning about Unity and 3ds Max modelling. I found that the frustration involved in working with the technology is best spent on things that aren’t as significant, if it fails and I lose it all I feel less upset.

miro world map

This video takes a brief walk through ‘miro_world’ in it’s current state.

I’ve continued to research for the VRD gardens project, which has now been acknowledged as eligible for funding by ACE (this only means they will now consider it and, it being a resubmission, I would have been surprised if they hadn’t), and I came across the online exhibition at the Garden Museum – gardenmuseum.org.uk

“I walk in this garden holding the hands of dead friends…” i

This is the start of a poem in one of Derek Jarman’s garden notebooks. This page, and a few others are reproduced on the Garden Museum website as part of the first exhibition dedicated to his garden at prospect college. There is a nice reading by Julian Sands heading this page.

When you carry your past with you as any conscious creature must it helps to have a place to lay it down. This is what Jarman did with prospect cottage, creating a space defined by the horizon geographically and physcologically, allowing patches of memory and the ideas they spawn to seed and grow as they could in the shingle.

There is nothing for me as dramatic as Jarman’s motivation but the desire to contain an essence of oneself in a space is palpably universal. The garden serves of course as itself and has a personality that dominates with its presence when you are present. It causes you to contemplate whether you wish to or not and visit and revisit aspects of yourself. Whether working or relaxing the space is redolent with shadows cast by your thoughts and memories.

i Garden Museum. (2020). Derek Jarman’s Sketchbooks. [online] Available at: https://gardenmuseum.org.uk/jarmansgarden/derek-jarmans-sketchbooks/ [Accessed 28 Nov. 2020].