Less Space in the Studio

A lot less Space in the Studio

Another New Studio

In the book ‘The Garden Against Time’ Olivia Laing writes about the restoration of a garden, delving into its history and the forces around it that shape that history. She writes

…I was exhausted by the perpetual, agonised now of the news. I didn’t just want to journey backwards through the centuries. I wanted to move into a different understanding of time: the kind of time that moves in spirals or cycles, pulsing between rot and fertility, light and darkness. I had an inkling even then that the gardener is initiated into a different understanding of time, which might also have a bearing on how to preclude the apocalypse we seem bent on careering into. I wanted to dig down, and see what I could find. A garden contains secrets, we all know that, buried elements that might put on strange growth or germinate in unexpected places. The garden that I chose had walls, but like every garden it was interconnected, wide open to the world.”

It is a fascinating book drawing on notions of the garden from Milton’s Paradise through John Clare and the ravages of enclosure and even to Iris Origo’s war diary from la Foce, ‘War in Val d’Orcia’ with all the diversions you would imagine and never shirking the moral ambiguity at the heart of all interactions with the land.

That idea of connecting to everything through a seemingly solitary activity is exactly what I’m trying to achieve with ‘woolgathering’

A lot less Space in the Studio

tree one 16 12 24

So in December I made one more big drawing of the flower beds and worked on the VR world, firstly refining the ground so that the lawn is flat and then working on the jumps between the life size and micro views that will lead into the other worlds before finally putting in the background from Google Maps to place the garden in a bigger environment.

This is the environment before i adjusted the lawn.

This one has the new lawn

and this one has the surrounding environment.

Obviously alongside this I needed something to put my energy into when the VR becomes too frustrating so I started some drawings of trees after seeing a photograph by a friend.

As well as the one above the videos I made two other small ones.

tree two 16 12 24

tree three 16 12 24

Before these the big ‘woolgathering flowerbed’ drawing was done over two days in the studio and is around 130 x 110 cm, pastel on cartridge paper.

Even less space in the studio

Woolgathering Flowerbed

I made a process gif over the two days the drawing took.

woolgathering flowerbed process

Meaning I have even less space in the studio

Even less space in the studio

I started a big drawing of the trees on the 3rd January and also a couple of paintings based on the flower drawings while I was downloading an environment maker for Blender so that I can add a meadow to ‘woolgathering’ after John Clare’s ‘Helpstone Green’

tree four 03 01 2025 in progress

 

Flowers Painting 03012025

Flowers Painting 03012025

Both these are c. 50 x 50 cm

Drawing

I’ve continued to draw every day;

The December drawings can be seen here

and the November images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.

 

 

 

Centre Apple Tree

Centre Apple Tree

Another New Studio

I just completed the Contemporary Art Academy PG1 course with a session where the participants delivered an ‘elevator pitch’ summing up our practice using the insight gained from the course. This is obviously really difficult because it is hard to articulate in the first place and remains hard in the final analysis.

I said something like “My name is Ian Latham and I build mixed reality installations. These involve physical sculptures alongside virtual environments (worlds). I use found and reclaimed materials, branches, scaffold planks, insulation foam etc., to build objects and structures based on my suburban garden. The virtual worlds that work alongside these explore the process of creation using LiDAR scans of the sculptures at various stages of their creation. The juxtaposition of these objects with representations of the garden IRL suggest the process of growth that I’m exploring.”

There were lots of hhms and aahs along the way, a few digressions and an element of self deprecation that was described to me as apologetic. All in all it was a great experience, it’s good to meet a group of peers and discuss the work rather than the life of being an artist.

I made this video for the presentation but in the end didn’t use it as we were trying to present ourselves as if we encountered someone while networking.

 

Centre Apple Tree

Red Garden Six

Since the last post I finished Red Garden Six with the addition of the red tree in the foreground.

Centre Apple Tree

Red Garden Seven 07 06 2024

Red Garden Seven 10 06 2024

I also took Red Garden Seven through two more stages. I’m not entirely convinced by either of them but I am persuaded there is nothing more I can do with either.

Two Red Trees – Pear and Apple 17 06 2024

I continued to work on the “Three Trees version Two” but it morphed into the “Two Red Trees – Pear and Apple” that will sit at the entrance to the virtual exhibition, and the physical one come to that.

Centre Apple Tree

Two Red Trees – Pear and Apple

The exhibition will have “Two Red Trees – Pear and Apple” at or just past the entrance, a new piece “Centre Apple Tree” in the centre of the quincunx and the first version of “Three Red Trees” at the top left and the “Dancing Partners” at top right. The various drawings may be displayed alongside although part of me thinks they’ll be separate.

Two Red Trees – Pear and Apple – Detail

Centre Apple Tree

Centre Apple Tree

Centre Apple Tree

I spent the back end of the month building the new “Centre Apple Tree”

And drawing it.

We had an unusual spell of good weather, for June, as well so I did some drawing in the garden.

Climbing rose 21 06 2024

Garden 26 06 2024

Hydrangea 26 06 2024

 

Drawing

I’ve continued to draw every day;

The June drawings can be seen here

and the May images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

Tripod Tree

Tripod Tree

Another New Studio

The whole month has been a bit of a let down for me as it has been broken up by time away and illness. I read an interview with Nicola Tyson  who talks of a practice defined through drawing and escaping the line. There is definitely something in the fact that Tyson was born in 1960 so she had the same kind of art education as I did. The desire to draw was instilled in people of this generation and it’s difficult not to start there. It also often becomes an entirely separate discipline to the painting or sculpture.

Tripod Tree

Dancing Partner 29 04 24

At the start of the month I solidified the ‘dancing partner’ structure by adding paper to the sides to turn it into a tall tent.

Tripod Tree

Dancing Partner 29 04 24

Dancing Partners 01 05 24

After this I painted it to lean against the original ‘dancing tree’. I’m not sure whether I’m going to match the surface finish yet.

Red Garden Six

I added the dancing tree to ‘red garden six’ but decided that it didn’t fit the space as well as I’d like. It seems too deliberate. Possibly not big enough.

Red Garden Six

On the 16th May, after a week away, I started to change the drawing.

Red Garden Six

Red Garden Six 16 05 24

Eventually simplifying the structures and darkening the trees.

Red Garden Seven

I also started a new drawing, ‘red garden seven’ using the paper I prepared with gesso.

Tripod Tree 22 05 24

After another few days off because I was ill I started to use the insulation foam c-view have given me to build another large tree sculpture. Tripod Tree.