Tag Archives: prevarication

Whatever It Is

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Whatever It Is

Another New Studio

I’ve had a mixed January after time off over Christmas. Lots of time spent trying to get an app from Unity onto the app store, I must have spent twenty hours and it still won’t go on so I’ve resorted to putting the Doncaster Platonics app on the Artivive  App.

It works, which is great, but it costs money to use for anything other than minimal output and there would be further charges if the works were viewed more than a 1000 times in a month. That might seem to be a lot of views but the five Platonics drawings are each individual artworks so that’s 200 views each.

Whatever It Is

Christmas Tree – Oil on Board

While I was at home I painted a Christmas tree, because it was Christmas.

Bird Skeleton

I missed several days studio work after discovering water dripping down onto my stairs from the skylight. This proved to be a hole in the roof so that needed sorting, mostly involving waiting for tradesmen to turn up to quote and then sitting around while the one I chose did the job.

While I was in the roof cavity, off my cellar studio I found the skeleton a small bird, I think it’s a sparrow, and I took it into the studio at c-view to draw. This is 140 cm x 80 cm pencil and pastel on paper. This was started on the 12th of January.

Small Fox

I also painted a small fox while I was waiting around at home and did a lot of digging in the garden.

Whatever it is

Bird Skeleton with Red

On the 15th January I was able to get into the studio again and added some red to the bird skeleton and worked over the shadows and some marks on the paper with white paint. I managed to get help to deliver the lemniscate  to the NHS at Barnsley Hospital and also got some photographs taken of the work I’ve made at c-view for prints and a new website.

Bird Skeleton with red wash

I got back into the studio on the 19th January and painted the background of the bird skeleton with red ink.

Studio 23/01/2024

I also started a new half sized maquette for the three trees variations in cardboard. I finished this on the 23rd January and made a lidar Polycam scan.

Three Trees Maquette drawing

When I returned to c-view on the 24th I started a drawing of the three trees sculpture, I’ve also explored this in the sketchbook.

Three Trees Maquette drawing

And when I next got in on the 29th I finished it.

Whatever it is

Red Pigeon

I was in again on the 31st, after a lot of work on the app and the background story to the big Gardens Project and I worked the Red Pigeon drawing up to almost finished.

I’m thinking that the Garden is the protagonist of the story for the project, asserting itself by becoming in the presence of ‘you’ as the witness. As simple as it sounds the longer you are present in the garden the more you see and the more you interact the more you find out. The plot may be the reconciliation ‘of’ or ‘with’ a fatal flaw in the main character. There has to be some kind of achievement at the end of it.

I wrote a kind of manifesto for my protagonist. Which garden I am depends upon you. I am the garden growing the fridge freezer and the bin bags full of ignorance; I am the garden organised with gravel and abandoned to dandelions and curly wurly wrappers bleached and wilted; I am the garden clinical in its efficiency, with no room for invasions or unwanted natives, made new every season with garish borders; I am the garden abandoned to ideology, at the mercy of the wind and the moss and the tap roots, and the ‘wilding’; I am the garden that tells you what it wants and where it wants it; You are the garden I am.

I really should find the time to work consistently on this, whatever it is.

A small aside about photographing work, I took the photographs below in my kitchen with the iPad, the picture is 12inches square. I haven’t adjusted the colour in any of them, it is just a question of finding the right light. The one at the right is the closest to reality.

Fox, colour photographs

Drawing

I’ve continued to draw every day;

The January drawings can be seen here

  • Draw Every Day – January 24
    Draw Every Day – January 24
    Draw Every Day - January 24 Continuing to draw every day, using sketching pens, japanese ...
    See photo »

…and the December images here

Draw Every Day - December 23 Continuing to draw every day, using sketching pens, japanese brush pens, a set of moleskine coloured pencils, a Koh-I-Noor 4B and Derwent watercolour and liquid charcoal washes. I also added a set of Winsor and Newton promarker water soluble markers. The 13th sketchbook was completed on December 12th and a new A5 book started on the 13th. Still doing double page spreads. The drawings are made any time from 9:00 am at the breakfast table and occasionally later in the day if I'm away from home. The drawings have been posted since the beginning, 6th May 2020, on instagram https://www.instagram.com/latham_1959 You can see previous months through the galleries page https://www.ian-latham.com/blog/galleries or you can go straight to November's drawings here -
  • Draw Every Day – November 23
    Draw Every Day – November 23
    Draw Every Day - November 23 Continuing to draw every day, using sketching pens, japanese ...
    See photo »

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

Reason vs Motivation

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Reason vs Motivation

Another New Studio

On the Open weekend I had twenty visitors on the Saturday and two on the Sunday, I can’t complain because I sold a painting.

I’ve called this post Reason vs Motivation as a step towards an explanation of my current practice. When I was talking to people at the open studio the film elicited some comments about its elegiac quality, which tied into my thinking through Eliot’s ‘deception of the Thrush’. Given that gardens in Christian thought are always the garden of Eden and consequently serve as a metaphor for the loss of innocence, the reference to my own garden uses it as trigger for the desire to reclaim something lost. The something lost is lost “in” innocence rather than being innocence. The problem with the past is that memory and nostalgia render it different to the degree that what you desire from the past isn’t what it was in the past, and the suggestion that it can be reclaimed is doubly erroneous as you yourself are the major difference that prevents its return. This is of course entirely obvious and is not the reason that the work is made but is probably the motivation for it being made. I’m still trying to articulate this properly and perhaps that’s the wrong thing to do as nothing kills creation for me quicker than having a reason to do it. I think it becomes contingent when it has that kind of rationale attached. It has to remain poetry rather than prose.

Since the open studio I carried on with the drawing of the photograph made by Jamie Bubb 

Reason vs Motivation

jb-flowers one

Making the image darker and darker.

jb_flowers one

This was the state of play on the 7th December, and started another drawing from the same source.

jb_flowers two

This was the second drawing on the 7th December.

jb_flowers two

And this is it on the 8th December.

jb_flowers one

The first drawing was darkened considerably by the 11th.

jb_flowers two

More detailed was added to the second drawing by the 11th.

Reason vs Motivation

three trees sculpture 15th December

On the 15th December I returned to the big sculpture and added white paint. Initially I’d thought of painting spots where I wanted to piece holes but when I started I decided that I should just paint the gaps between branches, or an idea of them.

pigeon

As I waiting for that to dry I drew a pigeon.

I made a small cardboard maquette to explore the three trees as separate elements on the 18th December.

adjusted the low section of the model on the 21st December.

three trees maquette 19122023

On the 19th December I built a cardboard maquette developed from sketchbook drawings of the new big sculpture and then on the 21st I painted it red.

studio 21st December

The polycam scan of the thin red maquette.

Reason vs Motivation

A few days after the open studio weekend and before I got really stuck in the mud mentally I wrote a further piece in my journal.

The question hovering above all art is ‘What is it about?’. These days there are labels so that you know immediately, or at least you get a clue that helps you make sense of the piece. Personally the question is always ‘Why did you make this?’. Because the act of making is the act of translating a desire into a realisation (or does the translation create the work?). The work starts with an idea that changes through application, an act of both compromise and development, and is presented, mutated, at the end. My response is ‘that’s kind of what I meant’. I […] think that there is a well of experience, belief, prejudice and angst stirred with study, planning and effort that the work springs from.

It doen’t really make it any clearer.

An end of frustration?

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An end of frustration?

(Another New Studio)

I finished(?) the NHS project after quite a lot of stress and setbacks. It was still completed on time but I had far less time in the studio.

The interruption of the sculpture project has left me a little non-plussed about the direction of my work and how to find ways forward against the pressure of completion. Ideas reach fruition and then need to be rendered physical when the desire or drive to create is spinning off in its own directions. Today I read an article about Michael Raedecker on Artspace where he says

“Inspiration can come at the most unusual moments; riding on a bus or reading a book. But most of the time you just have to work for it,” he tells Artspace. “Sitting down, making sketches, browsing in catalogues, looking at images, and letting the intelligence of the work guide the selection.”

Its the obviousness of the statement that woke me up, making begets making, so the only way to know what to make is to make.

Earlier in the week I went to see “The Weight of Words” at the Henry Moore Institute in Leeds.

Leaving aside the lack of overall context beyond the the declaration that the, very broad, selection of artists explore the overlap between sculpture and poetry, the exhibition inevitably questions the very nature of what sculpture is. The works in the exhibition are interesting, poignant and thoughtful in all sorts of ways, they are also often flat, digital projections, printed, photographed and less often strictly three dimensional. The lack of context serves to expand the possibilities of the precept at the heart of the overlap between sculpture and poetry and made me wonder where the notion of concrete poetry sits in relation to this selection of work. The website is very good and the exhibition is on until November so I might go again.

An end of frustration?

two apples with shadow

When I did get in I worked on apples drawing, adding strong shadows from the studio window.

An end of frustration?

large rose painted out

I also kept working on the big roses drawing, finally whiting it all out and then adding a drawing of Old English Roses

Old English Roses 120923

Each step of the process has taken more thinking than necessary as I was really disgruntled by the way the lemniscate impinged on everything else I wanted to do.

Old English Roses 120923 addition of red shadows

So after the first drawing I added the red shadows onto the edges of the flowers and then darkened the shadows.

Old English Roses 120923 darkening shadows

The drawing was left for a good few days after this stage.

Old English Roses 150923 white highlights

I had a short window to get back into the space and added some white highlights to the flower heads.

An end of frustration?

Old English Roses 220923 darker shadows

And then thought about using some stronger colours. So I blacked out the shadows and darkened some areas again but it still wasn’t defined enough.

Old English Roses 220923 stronger colours

So on my next visit, the 22nd September with the lemniscate out of the way completely I took some oil paints in to use to give the roses much more body. That’s where we are so far. Finished?

Drawing

I’ve ditched Twitter, one too many Musks, but I’ve started to post on Threads as well as instagram.

I’ve continued to draw every day;

The August drawings can be seen here

  • Draw Every Day – August 23
    Draw Every Day – August 23
    Draw Every Day - August 23 Continuing to draw every day, in a new sketchbook using sketching ...
    See photo »

…and the July images here

  • Draw Every Day – July 23
    Draw Every Day – July 23
    Draw Every Day - July 23 Continuing to draw every day, in a new sketchbook using sketching ...
    See photo »

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.