All Sorts of Stuff

All Sorts of Stuff

(Another New Studio)

Another gap between posts due to being distracted by other things. The Doncaster Platonics app is on track but proving a little difficult for a variety of reasons. As a result I decided to look at the monoprint drawings I did developing from the first set of lemniscates with a view to sculptural work.

All Sorts of Stuff

Finitude 4 drawing

The drawing is from the small set of Finitude drawings  I did in August 2022. Below you can see this large drawing and the monoprint drawing ‘finitude 2’ in the studio.

All Sorts of Stuff

Finitude drawing and monprints in the studio

This is a 360º view of the studio with the framed Doncaster Platonics images on one wall, opposite the view above.

The studio on the 2nd August

These views are of the studio on the 2nd August with the beginnings of a set of drawings playing on the idea of Twombly’s “Untitled(Roses)” made for the Museum Brandhorst in 2008.

These were developed directly onto paper after reading Dean Rader’s “Before the Borderless:Dialogues with the art of Cy Twombly” and the desire to have colour in the studio. The drawings can be seen in this gallery.

Studio Corner on 4th August

The drawings were stretched to hardboard sheets after being work on loose paper, and subsequently reworked. The effects of the water based paints on the loose paper were such that the works had to be re stretched face down to flatten them out for possible display and to see what they really looked like. The view above is from 4th August.

Studio Corner 7th August

Drawing

The July drawings can be seen here

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and the June images here

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There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.

 

Same Old Same Old

Same Old Same Old

Same Old Same Old

torus maquette 1

During January I continued work on the lemniscate/finitude/tori path, moving the tori drawings into sculpture through a series of five maquettes. These are conceived as large scale works, eventually around five feet tall so the standard view is across the apex of the lens that tops, in fact ‘is’, the form.

Same Old Same Old

torus 1 detail

The photographs above give an indication of the presentation.

The idea behind these is discussed in Stepping Aside Occasionally, a blog post from August last year where I talk, briefly about the notion of the absolute presented by the form. It’s not original but is a way into making things again.

I started to work with styrofoam (expanded polystyrene) from packaging and eventually bought some blue foam to build the structures solid parts. What I want is for the sculptures to be spatial translations of the tori drawings.

Same Old Same Old

torus 2 maquette

torus maquette 2 detail

torus maquette 3

torus maquette 3 detail

torus 4 maquette

The fourth maquette was actually the first to be put together but fell out of sequence with repairs and repainting – I’m considering the addition of graphite elements.

torus 5 maquette

The fifth maquette is the one that uses the blue foam on its own to layer the lens that you look across.

torus 5 maquette detail

As well as carrying on with these sculptures I’ve been painting, just to keep my hand in by stretching myself with technique.

Glassware – Oil on Board 10″ square (wip)

The glassware and the table are from photographs I found so I’ve started to use views of the house instead.

Table – oil on board 12″ square (wip)

Like this view of the kitchen table.

kitchen table – oil on board – 12″ square (wip)

All of these, as you can see, are works in progress.

I put together a round of 2022 as a mini website https://www.ian-latham.com/2022/ linked from the front page of the main site.

Drawing

I’ve continued to draw every day, including reaching 1000 consecutive drawings on 30th January, and you can see the January images  here

and the December images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.

Continuing distractions.

Continuing distractions.

Another wasted(?) period of time, six weeks or so since my last post.

I spent a lot of the time working on the continued transfer assets to a newer version of Unity to allow for a cleaner (smaller) executable and for more actions within the space. Conversations and research have convinced me that I need a narrative and more interactions in the space and I think I’m going to combine them. The thing I haven’t got at the moment is words.

So I decided to take a step back and produce some developments towards sculpture based on the lemniscate drawings. The full gallery is here …

The drawings began as experiments with binders and carriers for graphite powder following the comfrey torus drawings from this post, stepping aside occasionally

studio drawing

A1 drawings made in the studio

These drawings were then torn into quarters and collaged together

A1 torus collage

A1 torus collage

And finally these collages were worked over to define a central connection and suggest a sculptural solution.

Final A1 Torus drawing

Final A1 Torus drawing

There are 16 drawings in total and I’m working on a series of maquettes.

I also made some paintings of peppers I grew this year.

Continuing distractions.

Fruit and Peppers, oil on denim, 12″ x 12″

There are six paintings and they can be seen on this link

https://www.ian-latham.com/painting/four.html

Drawing

I’ve carried on drawing every day and you can see the November  images  here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.