NEW STUDIO Week Fifteen

Another late post – I need to sharpen up a bit.

I made a series of test videos and tried them out in the space, last weeks caveats apply to the finishes.

The time it takes to render the models is horrendous with my equipment so I need to invest in some better kit.

I was only in the studio for two days because of a meeting and started some drawing and stretched some paper.

In between time I started a painting based on one of the attic drawings.

garden painting May 2019

All in all a bit of a week to forget.

 

Painting Diversion January 2019

On Friday (26th January) I went to view a potential new studio through Axisweb. It’s a town centre shop with four floors that would be ideal for a studio/gallery. The last occupant was a charity, the Doncaster branch of The Real Junk Food Project, and the place is a bit of a mess. Lot’s of tidying up to do and rubbish to dispose of, but I was so taken with it that I asked when I could move in and was given the keys.

Subsequently Axisweb contacted me and told me the Landlord had not yet given permission for the shop to be rented to them so I’m holding keys for a place I can’t access. Fingers crossed that agreements are reached as I envisage some really interesting projects coming through the space.

As I have no reason to go to the sculpture studio until I shift my gear I’ve been finishing off some paintings I’ve been working on in my attic on the days I’m not at the studio. My working practice has been to spend some time painting on each day I’m not building and I have nothing else to do.

I made a series of paintings on a small scale, a mixture of 10cm square and some 13cm x 10cm or 12cm. I also have some A4 ish canvases and off cuts of MDF that I’m painting on.

The paintings tend to be landscape based, drawing on imagery I’ve been using from the garden series and the views through the window, treated abstractly, working on colour balance and dynamism.

balbylandscape_jan19_003

balbylandscape_jan19_003

I’ve also experimented with coloured backgrounds painted directly onto unprimed, and primed, hardboard.

balbylandscape_jan19_001

balbylandscape_jan19_001

Toying with formats, so the first pairing is presented on a background cut to the golden ratio and the one above is cut square, as is the one below.

balbylandscape_jan19_004

balbylandscape_jan19_004

There is occasionally some pencil work in them as well, to pick up textures implied by the painting and glazing.

balbylandscape_jan19_006

balbylandscape_jan19_006

There are also a series cut to landscape format like the one below.

balbylandscape_jan19_005

balbylandscape_jan19_005

Paintings on MDF off cuts like the one below

balbylandscape_jan19_007

balbylandscape_jan19_007

and paintings on small canvases, about A4, like these two.

balbytreescape_jan19_001

balbytreescape_jan19_001

plantstudy_jan19

plantstudy_jan19

These are some examples from a total of around forty small paintings.

Doncaster Art Fair

Doncaster Art Fair:

Cost £25 for the stall – a good size corner of The Queen Crafthouse in Doncaster – £65 for transport as I make big work and the car is too small.

I displayed two of my big paintings, framed to 150cm x 90cm, two framed paintings at 100cm x 100cm, 1 framed tomatoes painting at 90cm x 45cm and I built a browser out of mdf to hold a selection of big and small work.

Art fairs are always interesting in that you meet other artists and people you haven’t seen for ages, mostly out of context so that they don’t know what to say other than ‘is this yours?’ or did you do this?​’ You are also in a position to eavesdrop the variety of opinions about your work expressed with no regard to your presence, ‘the perspective is all wrong in this one’, ‘who’d want enormous tomatoes!’ ‘O, I don’t like these’ and so on.

At the same time I got a lot of very nice comments and questions about location and process. But my work is too big for sale at an event like this, and my selection was not focused enough to attract attention. I picked up a lot of advice about doing these kind of events, making sure you have a range of (domestic) sizes, price everything up clearly, greetings cards are a useful item to carry for small sales and follow up business. The majority opinion in the venue I was in was that you don’t know how successful an event it was until later on as people can and do contact you after the event having thought about a purchase.

The picture below got a lot of attention and I gave out more than forty cards, so who knows what might come of the occasion. My favourite comment of the day was from a man of about my age who was with his wife and another couple who he turned to to say “we do like art, we’ve just put a Kandinsky in the downstairs loo.”

Wordsworth avenue 7:15 am

Wordsworth avenue 7:15 am