Still in the Red

Still in the Red

Open Day

Another New Studio

Still in the Red

the studio in a convex mirror

Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush?

TS Eliot ‘Burnt Norton’ 

Despite my best efforts the concerns I had when developing the geranium project  remain central to my practice and I feel as if I’m in a dialogue with the inherent nostalgia evoked, in particular, through the Four Quartets 

The work I started and discussed in my last post led to me making the space to build a large sculpture based on the three trees maquettes I’ve been making. The sculpture must have spaces inside its mass that are inaccessible to adults because that’s the truth of the actual location (I am working alongside on a VR project that will express this better). In order to clear apples from the garden I need to get on my knees and that act immediately changes my relationship with the earth. I am attached more strongly to the ground, limited in my ability to move and given a different view of things. It’s this feeling I carry in to making and essentially try to replicate in the process. The object is the manner of its making.

Still in the Red

The build process

In this case that starts with an external armature to which I can attach shapes based on those that have grown. Each of the stages is followed by a Polycam scan of the sculpture at that stage.

Still in the Red

with the armature removed

When I’ve got the basic form I remove the armature and make sure the structure can stand.

Still in the Red

with the armature removed

This, if you like, is the outline, and I can then build on this to fill out the form I envisage.

Still in the Red

adding form

I used cartridge paper to do this and I’d normally make this more rigid with resin but my current studio arrangements don’t allow for this. It’s always worth noting that the material determines the quality of the form.

Still in the Red

adding form

The form, once complete can be painted and in this case it will be red.

Still in the Red

First coat of Red

The piece is about seven feet tall and will intially be painted using two shades of red. I’ve managed to put the first one on so far.

First coat of Red

I’ve found time to work on some of the drawings and my sketchbook, this is the third red garden drawing

Red Garden Three

Still not finished.

Open Day

You’ll have noticed this at the top of the page, try to visit if you can, the other two are really good!

New Start

New Start

Another New Studio

After having Covid19 and therefore doing no work between the 2nd October and the 18th October, I found I’d reached the point where I didn’t know what I was going to do. Both the summer projects were finished and while I have a list of several things I’m interesting in doing I wasn’t really committed to any of them. So I wanted a New Start.

So on the 18th I went in to the studio with a view to experimenting with the Redfilm output 

I had two large boards ready for drawings and I decided to use these to make drawings to complement the films.

New Start

red garden underpainting

18/10/23

This drawing started as ‘red_garden’ and was taken through the underpainting using pastels with water through the day.

New Start

red garden ink layer

23/10/23

A week later I’d had delivery of some more Red media including Ink Blocks from Derwent [link] and the drawing was worked up as seen with the addition of some highlights using white charcoal, as seen below.

red garden 23102023

23/10/23

New Start

red garden two underpainting

18/10/23

The drawing above was begun as ‘red_garden_two’ and the underpainting was done with pastels and some very cheap pre mixed poster paint.

New Start

red garden two ink layer

23/10/23

Again I further worked up the drawing on the 23rd with the ink blocks and finally added highlights with white charcoal.

New Start

red garden two 23102023

23/10/23

New Start

red garden three

23/10/23

Also on the 23rd I started a 3rd drawing on an A4 board, ‘red_garden_three’ produced in the same way.

New Start

studio 23102023

23/10/23

I ended the 23rd with the studio looking like this and decided to change it when I came back as the mirror experiments with the film didn’t work.

New Studio

Studio from Window 25102023

25/10/23

So on the 25th I took down the projection room with a view to making a smaller one to view the edits in isolation.

New Start

Studio from Door 25102023

25/10/23

The day was finished with the studio looking like this and I discovered that Covid19 has left me completely knackered after what seems like not much work.

New Start

Red Sketchbook 19th October onwards

19/10/23 onwards

While this was going on I continued to work in my attic studio using stills selected from the films to develop ideas in my sketchbook as the starting point for new work going forward. Initially this was envisaged as two dimensional and Virtual work but very quickly grew into physical sculptural form.

New Start

Maquettes made from 20th October onwards

20/10/23 onwards

studio from door 30102023

After the 30th I’d finished the viewing room and made a space to build a large sculpture.

New Start

studio from window 30102023

I also did some further work on the red drawings.

red garden three 30102023

This is red garden three, the A1 drawing.

red garden two 30102023

This red garden two,

New Start

red garden 30102023

The Red drawings are not finishshed and I’ve started a large sculpture that will be featured in my next post, but that’s my new start.

Drawing

I’ve continued to draw every day;

The October drawings can be seen here

and the September images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Threads and Instagram each day.

Building

Building

(Another New Studio)

I made myself a workbench, a little lower than the display bench, and began to make sculpture based on the lemniscate wave developments. The bench is shown fully in the second image.

building

 

Building

o

The view of the studio was taken at the end of the day on the 8th June .

Building

Studio 08-06-2023

I spent time thinking about the small wave print below and decided to make one of the circles into a sphere and to make the brown paper line widen over its length.

Building

sphere template

building

lemniscate_cc_wave

Lemniscate_cc_wave is the basis of this sculpture, the others can be seen here.

Building

studio 09-06-2023

At the end of the day on the Day on the 9th June you can see I’ve begun to surface the big zero and the brown paper line and I have the foundation of the spherical form on the display bench waiting to be worked over.

Building

Dark Studio enhanced

I took a very dark photograph on the 8th, that turned out like this with Photoshop automatic tone, colour and contrast.

Building

Arranging lemn_wave parts

After the weekend I finished covering the two parts of the lemn_wave. The sphere was a problem and I couldn’t get it to work as I wanted so I had two frustrating days.

Building

Lemn wave with sphere attempt

You can see one of my attempts here. I was also starting to think about the arrangement of the parts and how they might stay in place.

Given the drying time for glues when the parts were being finished I also went back to the redfilms and hung the circles again.

The redfilms are a found response to climate change, a machine made version of a burning garden with everthing carrying on as normal. It is presented as a double video projection with a fifty percent overlap and the videos starting at different times so that the film changes with each viewing. The films can be viewed on Vimeo.

At the last I decided to use the sections I removed from the ‘o’ to make a spherical shape by crossing the two circles and letting that serve as the form.

Building

Lemniscate wave cc

I think it works.

Building

Lemniscate wave cc

I also had a go at a drawing while I was thinking about the arrangement of forms.

Building

Lemniscate wave cc preparatory drawing