“Isn’t it supposed to be green?”

“Isn’t it supposed to be green?”

NHS Barnsley

Lemniscate sculpture July 23rd – September 18th 2023.

On 23rd July 2023 the Barnsley Facilities Services office followed up on an email from 23rd January 2023 confirming that we were ready to proceed with manufacture as soon as we were paid. Their email stated that they thought the order had been raised earlier, said we would have it tomorrow and could we finish in time for Organ Donation Week which is 19th September 2023. I replied that To answer your question, if I start now and everything goes well then yes, 18th September is achievable. I’ve got enough kit to start work on the build but I will need the money to buy the silicon and the resin within the next three weeks. I can’t start literally straight away as I’m away until Monday 31st.

The last time I referred to this project, or illustrated it was in this blog post – ‘Gardens Project 12: First Post in Three Months’

building the lemniscate

29/07/23

This is a step by step guide to how it happened. I started earlier than I said as I had some materials. This is the first stage of the lemniscate on a wire frame wrapped in mesh and cotton scrim.

"Isn't it supposed to be green?"

progress

01/08/23

I continued to build up the layers to around 100mm girth and balance the shape, but pressures of time meant I couldn’t take the form apart and rebuild the parts that weren’t perfect. I had to build it as close as I could and then sand it back.

"Isn't it supposed to be green?"

finishing (somewhat earlier than ideal)

08/08/23

After a week of adding and sanding I’d reached this form and I had to accept that this was it for the master.

“Isn’t it supposed to be green?”

I am still trying to get in to the studio as often as possible

Beginning the mould making

16/08/23

So I coated it with release agent, and Vaseline eventually. I use clay walls and laid the plaster on to about 25mm thickness. I decided that if I made the mould as three sections around the circumference I’d avoid problems with removing it.

Turning the mould

17/08/23

The next day I turned the piece over and repeated the process with the second run of mouldings.

The finished mould

19/08/23

A couple of days later I applied the final layer.

marking up for removal

20/08/23

And after a day drying, nowhere near long enough, I marked up the mould and

“Isn’t it supposed to be green?”

back to the original

20/08/23

Took the sections off.

the numbered and marked sections

20/08/23

In the end there were 23 parts to the mould. If I’d been a bit braver I might have reduced this to an even dozen. Hindsight is marvellous.

fixing the mould together

26/08/23

So then I put the mould back together after the parts were vaselined for release. This was a pain as the markings disappeared as the mould wasn’t dry enough.

the assembled mould

27/08/23

But here is the hollow mould on the 27th August. I’m awaiting delivery of the resin I was able to order on the 25th when I got payment.

plastering the gaps

30/08/23

On the 30th the resin arrived, and extra plaster so I was able to finish the exterior to prevent leaks.

turning the mould

30/08/23

The mould had to be turned to facilitate this and the process took about 2.5 hrs.

ready for the pour

31/08/23

The lemniscate upended to allow for resin pouring. The pour was made in three parts, the first 15kg over around an hour when there were small leaks around some lower joints. Plaster of Paris was applied to seal these and the mould was left for 45 minutes to allow the resin to reach gel consistency. Then the next 20kg of resin was poured and the process with small leaks was repeated. After another hour, around 4:45 pm the last pour of about 10kg was made. A small amount of Plaster was again used to close a couple of small leaks.

the ‘workshop’

31/08/23

The “workshop” with the lemniscate covered and used resin containers in the background.

the mould is full

31/08/23

The hardened resin at the top of the mould at 8pm on the 31st August. The lemniscate is covered and the resin left to cure for five days.

“Isn’t it supposed to be green?”

building the plinth

02/09/23

Building the plinth

the top of the plinth

02/09/23

The plinth comes in two parts and the lemniscate will be secured by the two aluminium posts on the top. I have the feeling it’s too tall.

the broken original

02/09/23

The original lemniscate was being used as the test piece for the top of the plinth so I could place the holes to secure it. Unfortunately it broke into three pieces before I could test it.

fixing the original

03/09/23

Obviously I still needed to test the positioning of the lemniscate so I have to repair the original. This image shows two of the three pieces placed together ready to be fixed, you can see the connector piece on the left and just about see the break on the extreme left at about 10 o’clock.

cleaning the cracks

03/09/23

A close up view of the break on the left of the photograph above.

fastening the third break

03/09/23

The third piece of the broken lemniscate ready to be fastened. You can see the repair to the right hand side of this break that needed fixing before the whole piece was tied in.

the completed original

03/09/23

The three pieces tied together and left to set. I used plaster of plaster for these with a low water mix for strength and cotton scrim to bind it together. The picture is distorted as as I had to hold the camera above my head to get it all in even with the phone zoomed out as far it would go.

 

"Isn't it supposed to be green?"

releasing the cast

“Isn’t it supposed to be green?”

05/09/23

The lemniscate coming out of the mould. The mould failed in several places, you can see the spots of plaster stuck to the body at the top left and the mid right. Also the broken broken mould at top right.

While all this was going on I was also visiting the studio, just not as often as I would have liked.

the three pieces fressh from the destroyed mould

05/09/23

The lemniscate almost fully released and in three pieces with very large cast marks where the mould failed to match accurately.

plaster cleaned off

05/09/23

The three pieces of the lemniscate after a first wash. The breaks are pretty much face to face, there are no air gaps, so I should be able to fit the pieces together and fix with epoxy.

grinding the three sections

06/09/23

The cast marks were ground off the separate pieces while I worked out what to do to tie them together.

fixing the breaks

07/09/23

The fixing process for the three pieces, metal rods are drilled into the sections fixed with clear epoxy.

"Isn't it supposed to be green?"

the assembled cast

07/09/23

The three sections fixed together, the epoxy will cure overnight and the piece should be ready for polishing.

cleaned, and a first polish

08/09/23

The lemniscate after a first polish and the removal of the excess rebar.

“Isn’t it supposed to be green?”

the workshop – the aftermath

08/09/23

The aftermath in the working space as I move back closer to the house.

"Isn't it supposed to be green?"

the reduced plinth

09/09/23

The plinth with the lighting solution being installed.

“Isn’t it supposed to be green?”

09/09/23

“Isn’t it supposed to be green?”

This is why I really don’t like commissions, there is a apparently a requirement for the piece to be green as this is integral to the original design. I had no idea that this was the case and found out on Friday, the 8th September, so now it will be green. It will be a bit more of a sap green than the viridian above.

"It's supposed be green isn't it?"

sanding and polishing as much as possible in the limited time available

11/09/23

Sanding the piece as smooth as possible in the limited time available.

"Isn't it supposed to be green?"

Green

11/09/23

Now, it is green, having searched through six year old emails I found the relevant design sheet.

Victoria Hardman’s design sheet

11/09/23

I have a note somewhere about displaying the figure of eight horizontally so people would recognize it as infinity, but it just hadn’t registered that ‘green’ was referring to the colour and the eco credentials.

Isn't it supposed to be green

plinth with original top

12/09/23

The final part of the project was to fix the plinth so that light shines up onto the lemniscate.

Interestingly the support tubes on the plinth above are 540mm apart.

cured lemniscate

12/09/23

The posts fixed to the lemniscate here are 530mm apart. The resin continues to cure and the piece has contracted by 10mm over the past week. So this meant I needed to make a new top for the plinth.

"Isn't it supposed to be green?"

Organ Donation Memorial for NHS Barnsley

12/09/23

This is the final piece with the new top and lights fitted, all that remained was for the lemniscate to be given a coat of lacquer to seal the colour.

 

 

Same Old Same Old

Same Old Same Old

Same Old Same Old

torus maquette 1

During January I continued work on the lemniscate/finitude/tori path, moving the tori drawings into sculpture through a series of five maquettes. These are conceived as large scale works, eventually around five feet tall so the standard view is across the apex of the lens that tops, in fact ‘is’, the form.

Same Old Same Old

torus 1 detail

The photographs above give an indication of the presentation.

The idea behind these is discussed in Stepping Aside Occasionally, a blog post from August last year where I talk, briefly about the notion of the absolute presented by the form. It’s not original but is a way into making things again.

I started to work with styrofoam (expanded polystyrene) from packaging and eventually bought some blue foam to build the structures solid parts. What I want is for the sculptures to be spatial translations of the tori drawings.

Same Old Same Old

torus 2 maquette

torus maquette 2 detail

torus maquette 3

torus maquette 3 detail

torus 4 maquette

The fourth maquette was actually the first to be put together but fell out of sequence with repairs and repainting – I’m considering the addition of graphite elements.

torus 5 maquette

The fifth maquette is the one that uses the blue foam on its own to layer the lens that you look across.

torus 5 maquette detail

As well as carrying on with these sculptures I’ve been painting, just to keep my hand in by stretching myself with technique.

Glassware – Oil on Board 10″ square (wip)

The glassware and the table are from photographs I found so I’ve started to use views of the house instead.

Table – oil on board 12″ square (wip)

Like this view of the kitchen table.

kitchen table – oil on board – 12″ square (wip)

All of these, as you can see, are works in progress.

I put together a round of 2022 as a mini website https://www.ian-latham.com/2022/ linked from the front page of the main site.

Drawing

I’ve continued to draw every day, including reaching 1000 consecutive drawings on 30th January, and you can see the January images  here

and the December images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.

Gardens Project 12: First Post in 3 Months

Gardens Project 12: First Post in 3 Months

At Christmas, as I was awaiting new year with bated breath, ready to make myself new resolutions and approach 2022 with a renewed vigour I got offered a job. Quite out of the blue an agency I had signed up with when I retired emailed me to see if I wanted to take up an interim position at a college not too far away and within a couple of days I’d spoken to the college and decided to go.

The good thing about this is that it shifted me out of my rut and meant I had, for at least some of my days, a defined purpose that wasn’t just about me. The bad thing is that even though it was initially only four days a week focus on anything else goes right out of the window.

I have been doing some things though…

I’ve joined a website for Yorkshire Artists, https://yorkshire.art/directory/artist/ian-latham/

had a meeting about the lemniscate project,

Three Lemniscate maquettes

Three Lemniscate maquettes

I’ve carried on drawing every day and you can see the February images here

The drawings are posted to Twitter and Instagram each day.

and produced a couple of bigger studio drawings.

Gardens Project 12

Drawing of a fox in the garden at Balby – Charcoal 100x90cm In Progress

Gardens Project 12

The attic studio from above – pencil 90x90cm

I’ve also had to revisit the gardens project in VR as I made a series of mistakes that meant I had to rebuild the environment. My lack of knowledge leads to my constant stepping back to check and repeatedly changing my mind about where I’m going with this project. I do think (?) that I know what the installation will look like now, the piece will be entered through interactions with a set of platonic solids and will explore their associations with the classical elements. The faces of the dodecahedron being used as entry points to the different experiences.

I’ve started to adapt the narrative into a twine so that I can explore the different routes through it. This in effect doubles the number of chapters, or at least chapter headings? Maybe it does, maybe it doesn’t.

The Gardens project posts start here 

I also finished my painting of a rose

First Post in 3 Months

Balby Rose Oil on Board 50x50cm