“Isn’t it supposed to be green?”

“Isn’t it supposed to be green?”

NHS Barnsley

Lemniscate sculpture July 23rd – September 18th 2023.

On 23rd July 2023 the Barnsley Facilities Services office followed up on an email from 23rd January 2023 confirming that we were ready to proceed with manufacture as soon as we were paid. Their email stated that they thought the order had been raised earlier, said we would have it tomorrow and could we finish in time for Organ Donation Week which is 19th September 2023. I replied that To answer your question, if I start now and everything goes well then yes, 18th September is achievable. I’ve got enough kit to start work on the build but I will need the money to buy the silicon and the resin within the next three weeks. I can’t start literally straight away as I’m away until Monday 31st.

The last time I referred to this project, or illustrated it was in this blog post – ‘Gardens Project 12: First Post in Three Months’

building the lemniscate

29/07/23

This is a step by step guide to how it happened. I started earlier than I said as I had some materials. This is the first stage of the lemniscate on a wire frame wrapped in mesh and cotton scrim.

"Isn't it supposed to be green?"

progress

01/08/23

I continued to build up the layers to around 100mm girth and balance the shape, but pressures of time meant I couldn’t take the form apart and rebuild the parts that weren’t perfect. I had to build it as close as I could and then sand it back.

"Isn't it supposed to be green?"

finishing (somewhat earlier than ideal)

08/08/23

After a week of adding and sanding I’d reached this form and I had to accept that this was it for the master.

“Isn’t it supposed to be green?”

I am still trying to get in to the studio as often as possible

Beginning the mould making

16/08/23

So I coated it with release agent, and Vaseline eventually. I use clay walls and laid the plaster on to about 25mm thickness. I decided that if I made the mould as three sections around the circumference I’d avoid problems with removing it.

Turning the mould

17/08/23

The next day I turned the piece over and repeated the process with the second run of mouldings.

The finished mould

19/08/23

A couple of days later I applied the final layer.

marking up for removal

20/08/23

And after a day drying, nowhere near long enough, I marked up the mould and

“Isn’t it supposed to be green?”

back to the original

20/08/23

Took the sections off.

the numbered and marked sections

20/08/23

In the end there were 23 parts to the mould. If I’d been a bit braver I might have reduced this to an even dozen. Hindsight is marvellous.

fixing the mould together

26/08/23

So then I put the mould back together after the parts were vaselined for release. This was a pain as the markings disappeared as the mould wasn’t dry enough.

the assembled mould

27/08/23

But here is the hollow mould on the 27th August. I’m awaiting delivery of the resin I was able to order on the 25th when I got payment.

plastering the gaps

30/08/23

On the 30th the resin arrived, and extra plaster so I was able to finish the exterior to prevent leaks.

turning the mould

30/08/23

The mould had to be turned to facilitate this and the process took about 2.5 hrs.

ready for the pour

31/08/23

The lemniscate upended to allow for resin pouring. The pour was made in three parts, the first 15kg over around an hour when there were small leaks around some lower joints. Plaster of Paris was applied to seal these and the mould was left for 45 minutes to allow the resin to reach gel consistency. Then the next 20kg of resin was poured and the process with small leaks was repeated. After another hour, around 4:45 pm the last pour of about 10kg was made. A small amount of Plaster was again used to close a couple of small leaks.

the ‘workshop’

31/08/23

The “workshop” with the lemniscate covered and used resin containers in the background.

the mould is full

31/08/23

The hardened resin at the top of the mould at 8pm on the 31st August. The lemniscate is covered and the resin left to cure for five days.

“Isn’t it supposed to be green?”

building the plinth

02/09/23

Building the plinth

the top of the plinth

02/09/23

The plinth comes in two parts and the lemniscate will be secured by the two aluminium posts on the top. I have the feeling it’s too tall.

the broken original

02/09/23

The original lemniscate was being used as the test piece for the top of the plinth so I could place the holes to secure it. Unfortunately it broke into three pieces before I could test it.

fixing the original

03/09/23

Obviously I still needed to test the positioning of the lemniscate so I have to repair the original. This image shows two of the three pieces placed together ready to be fixed, you can see the connector piece on the left and just about see the break on the extreme left at about 10 o’clock.

cleaning the cracks

03/09/23

A close up view of the break on the left of the photograph above.

fastening the third break

03/09/23

The third piece of the broken lemniscate ready to be fastened. You can see the repair to the right hand side of this break that needed fixing before the whole piece was tied in.

the completed original

03/09/23

The three pieces tied together and left to set. I used plaster of plaster for these with a low water mix for strength and cotton scrim to bind it together. The picture is distorted as as I had to hold the camera above my head to get it all in even with the phone zoomed out as far it would go.

 

"Isn't it supposed to be green?"

releasing the cast

“Isn’t it supposed to be green?”

05/09/23

The lemniscate coming out of the mould. The mould failed in several places, you can see the spots of plaster stuck to the body at the top left and the mid right. Also the broken broken mould at top right.

While all this was going on I was also visiting the studio, just not as often as I would have liked.

the three pieces fressh from the destroyed mould

05/09/23

The lemniscate almost fully released and in three pieces with very large cast marks where the mould failed to match accurately.

plaster cleaned off

05/09/23

The three pieces of the lemniscate after a first wash. The breaks are pretty much face to face, there are no air gaps, so I should be able to fit the pieces together and fix with epoxy.

grinding the three sections

06/09/23

The cast marks were ground off the separate pieces while I worked out what to do to tie them together.

fixing the breaks

07/09/23

The fixing process for the three pieces, metal rods are drilled into the sections fixed with clear epoxy.

"Isn't it supposed to be green?"

the assembled cast

07/09/23

The three sections fixed together, the epoxy will cure overnight and the piece should be ready for polishing.

cleaned, and a first polish

08/09/23

The lemniscate after a first polish and the removal of the excess rebar.

“Isn’t it supposed to be green?”

the workshop – the aftermath

08/09/23

The aftermath in the working space as I move back closer to the house.

"Isn't it supposed to be green?"

the reduced plinth

09/09/23

The plinth with the lighting solution being installed.

“Isn’t it supposed to be green?”

09/09/23

“Isn’t it supposed to be green?”

This is why I really don’t like commissions, there is a apparently a requirement for the piece to be green as this is integral to the original design. I had no idea that this was the case and found out on Friday, the 8th September, so now it will be green. It will be a bit more of a sap green than the viridian above.

"It's supposed be green isn't it?"

sanding and polishing as much as possible in the limited time available

11/09/23

Sanding the piece as smooth as possible in the limited time available.

"Isn't it supposed to be green?"

Green

11/09/23

Now, it is green, having searched through six year old emails I found the relevant design sheet.

Victoria Hardman’s design sheet

11/09/23

I have a note somewhere about displaying the figure of eight horizontally so people would recognize it as infinity, but it just hadn’t registered that ‘green’ was referring to the colour and the eco credentials.

Isn't it supposed to be green

plinth with original top

12/09/23

The final part of the project was to fix the plinth so that light shines up onto the lemniscate.

Interestingly the support tubes on the plinth above are 540mm apart.

cured lemniscate

12/09/23

The posts fixed to the lemniscate here are 530mm apart. The resin continues to cure and the piece has contracted by 10mm over the past week. So this meant I needed to make a new top for the plinth.

"Isn't it supposed to be green?"

Organ Donation Memorial for NHS Barnsley

12/09/23

This is the final piece with the new top and lights fitted, all that remained was for the lemniscate to be given a coat of lacquer to seal the colour.

 

 

Wading Through Mud

Wading Through Mud

(Another New Studio)

This has been a busy couple of weeks since my last post (link to post) with work on the NHS Barnsley project which is progressing but will be the subject of another post when it’s completed.

Distractions aside I continued to work on the large drawing I’d started but didn’t post last time out.

Wading Through Mud

Large Rose 11/08/23

Then (11th August) it looked like this, there evidence of some changes in the centre at the bottom but it doesn’t work, too structured and neither one thing nor the other.

WAding Through Mud

Large Rose 14/08/23

So I decided it needed some stronger blogs at the top right and some on the left and below to draw it together. This is the state of play on 14th August.

Wading Through Mud

Large Rose 18/08/23

I decided to move everything up a bit and strengthen the overall force of the circular composition. This is after the 18th August.

Wading Through Mud

Large Rose 25/08/23

I needed to think about it for a while and I worked on the UKSPF project while I did that but felt like it had no presence so I attacked it with white paint and this is what it looks like on the 25th August. It hasn’t changed since but illustrates how you can work your arse off and things will still go wrong.

So I’ve left that for a while, who knows how long, Howard Hodgkin  used to turn his paintings to the wall for two or more years so I’m not going to be in any hurry.

I have a desire to get much simpler with the physical work – I’m also trying to get back to the world building in VR – so I started to work on a new drawing of apples I have in the studio. I see this as part of a sketchbook with AR elements that will include the birdsnest, and drawings of my Doc Martens and the garden at Tickhill Road.

Wading Through Mud

Two Apples 29/08/23

The first drawing is just the apples on a sheet of white paper and I thought it interesting how the colour balance changed when I added the shadowed wall next to the window.

Wading Through Mud

Two Apples 29/08/23

I’ve completed the UKSPF project bar the publication, the images can be seen in this post “Not Building”  the video is a quick run through of how it works. I might reduce the size of the videos as much as I can.

Drawing

I’ve continued to draw every day;

The August drawings can be seen here

and the July images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.

 

All Sorts of Stuff

All Sorts of Stuff

(Another New Studio)

Another gap between posts due to being distracted by other things. The Doncaster Platonics app is on track but proving a little difficult for a variety of reasons. As a result I decided to look at the monoprint drawings I did developing from the first set of lemniscates with a view to sculptural work.

All Sorts of Stuff

Finitude 4 drawing

The drawing is from the small set of Finitude drawings  I did in August 2022. Below you can see this large drawing and the monoprint drawing ‘finitude 2’ in the studio.

All Sorts of Stuff

Finitude drawing and monprints in the studio

This is a 360º view of the studio with the framed Doncaster Platonics images on one wall, opposite the view above.

The studio on the 2nd August

These views are of the studio on the 2nd August with the beginnings of a set of drawings playing on the idea of Twombly’s “Untitled(Roses)” made for the Museum Brandhorst in 2008.

These were developed directly onto paper after reading Dean Rader’s “Before the Borderless:Dialogues with the art of Cy Twombly” and the desire to have colour in the studio. The drawings can be seen in this gallery.

Studio Corner on 4th August

The drawings were stretched to hardboard sheets after being work on loose paper, and subsequently reworked. The effects of the water based paints on the loose paper were such that the works had to be re stretched face down to flatten them out for possible display and to see what they really looked like. The view above is from 4th August.

Studio Corner 7th August

Drawing

The July drawings can be seen here

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and the June images here

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There is a link to the previous month’s Gallery on each page.

The drawings are posted to Twitter and Instagram each day.