Studio Build FIVE

Week Four in the Studio:

The start of this week was very cold. This has caused me to think very clearly about the things I want to do and work quickly when I’ve decided. Ten minutes of inactivity can mean my hands are too cold to hold a hammer and a paintbrush has no chance. So there is a cup of tea on the go almost continually. Today my biggest expense will have been boiling the kettle.

back wall with text, charcoal

back wall with text, charcoal

I first wrote out the text I wanted on the piece using charcoal and white conté. The words are from TS Eliot’s ‘Burnt Norton’, where he contemplates time and the loss engendered by presence, this is the closest I have got so far to the ghosts I’m exorcising in the work as a whole. The insistence of the birds drawing you into the garden resonates.

corner outlined lettering

corner outlined lettering

I managed to paint in the letters in black, white and grey, before working over them with the paint thinned down and tearing some of the collaged paper. Then I had to stop to allow the work to dry and the cold drove me home!

Wednesday visit from Axis Web and DMBC rates assessment, they check to see the space is being used for the purpose stated and confirm the rebate/exemption. Apparently councils vary in their interpretations.

I opened the fire door for the first time to look at the back of the unit and so I could collect some leaves.

looking right out the back

looking right out the back

looking left out the back

looking left out the back

The river is a few metres away.

I have an idea for a curtain of leaves towards one of the corners of the space, not enough to create a barrier but enough to provide a visual disturbance. I can’t decide between this and a scattering, in the air, of leaves throughout the space. To facilitate this I set out to stretch some fishing line, I have no idea if this will work, but the straighter it is the more it disappears.

stretching fishing line

stretching fishing line

I also collected some leaves and set them out to dry.

120 birch leaves

120 birch leaves

I’ll paint them with PVA when they’re dry to preserve the colour as much as possible.

After this I mixed some white emulsion down with PVA and water to paint out some areas of the drawing, I feel the text needs to disappear to a large extent, and the space needs to become whiter. I then worked back into some areas with Indian ink thus negating the work I’d done to lighten the space. It’s in that flux state now where it will either coalesce into a convincing whole or collapse into a horrible mess.

corner painted in

corner painted in

end of Wednesday

end of Wednesday

This week has been shortened as I am also preparing for the Doncaster Art Fair on Sunday, so this video shows the work at the end of Wednesday.

 

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