The Burial of the Dead

The Burial of the Dead

Another New Studio

‘April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.’

TS Eliot: The Waste Land 

April has been a great big steaming waste of time. Everything I’ve tried has turned out badly and in the end I’ve had to put everything away and start again. I ended the month reading an article online that takes a very jaundiced view of the art school in the UK and is extremely difficult to argue with. 

d’Alancaisez, Pierre. ‘Art School Hotel California’. Elementy, no. 6 (2024). https://doi.org/10.52652/e.6.24.12.

The succession of photographs that follow present a view of my efforts over the month to prove to myself that I was active even though the evidence will be destroyed.

Horse Parts Template 04 April 2025

I drew out the parts on insulation foam

Horse Parts Cut Out 04 April 2025

Cut them out

Leg Parts Bandaged 09 April 2025

Wrapped them in plaster bandage – the mummification never mind the burial of the dead

Horse Body Bandaged 11 April 2025

Assembled the body, the problem is becoming more apparent I think

Horse Parts Positioned 14 April 2025

Positioned the parts, held them together with steel rod

Horse Parts Assembly 16 April 2025

Bandaged them again to hold the legas together as individual units

The burial of the dead

Horse Parts Head 18 April 2025

I’d already made the head and tail. Watched the whole piece fall apart because the joints won’t hold

Horse Parts Fixings 21 April 2025

Strengthened the joints so I could tighten them together

Horse Parts Connections 23 April 2025

Assembled the horse again and watched it collapse.

Horse Legs Remade 25 April 2025

Decided to join the two legs from each side of the horse together to see if I could build it differently

Horse legs abandoned 28 April 2025

Stopped flogging the dead horse when this failed, tidied the studio, reorganised so I could reach the blue foam.

The month wasn’t a total waste, I did this drawing at the satart of the month,

Mare and Foal 02 April 2025

and I made a small version of the horse to illustrate what I’m aiming for.

The Burial of the Dead

Circus Horse (after Seurat) 02 May 2025

Drawing

I’ve continued to draw every day;

The April drawings can be seen here

and the March images here

There is a link to the previous month’s Gallery on each page.

Or you can go the Galleries page on the top menu

The drawings are posted to  Instagram each day.

Open Studio Dark Fox

Open Studio Dark Fox

Another New Studio

I had around 30 visitors on Saturday and the 20 more on Sunday.

Lots of questions and compliments but no sales.

Between times I worked up the fox drawing and updated my online store, as well as stretching some paper and starting a new drawing.

Dark Fox 11:11

Open Studio Dark Fox

Dark Fox 12:23

Open Studio Dark Fox

Dark Fox 13:53

Open Studio Dark Fox

Dark Fox 14:08

Open Studio Dark Fox

Dark Fox 14:46

Open Studio Dark Fox

Dark Fox 15:52

On Sunday morning I mounted and framed the dark fox so it was on display for the open studio.

One of my visitors pointed me to an interesting artist called Emma Webster who uses digital imagery and environments to inform her paintings. 

Drawing

I’ve continued to draw every day;

The March drawings can be seen here

]

and the February images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.

 

Quicksand

Quicksand

Another New Studio

There is a way in which applying for funding sucks the life out of you and makes you perceive your practice as lacking any kind of progress. A lot of applications, anything in ACE projects or DYCP and most other that arrive without fanfare require a well defined project that hasn’t been started yet and won’t be started until the grant is approved. The problem with this is that you spend so much time waiting for the decision, I know you how long you’re going to wait and I know everyone writes that they follow the rules but nobody does, that you can’t summon the energy to do anything once you’ve been declined. Needless to say I didn’t get mu grant funding! Sigh!

The only thing to do is carry on regardless. I’m also getting a bit pissed off with funding providers who will only comment through social media channels. I don’t won’t to be on LinkedIn anymore, I really can’t be arsed with Facebook and obviously I ditched twitter years ago (feels like it anyway). Why they can’t put their posts on a blog on their websites is clearly so technical it is beyond my ken.

Anyway this last two months have been about applying for funding and reaching a point where I couldn’t progress while I awaited an outcome and the subsequent come down. Hence the quicksand, I was already slowing down but the rejection sent me stuttering to a halt. Then there has been the prep for an open studio event next week.

Quicksand

scene notes

At the beginning of the month I had a lot of notes like this one in my notebooks, this one a scene list for woolgathering.

Quicksand

Horse and Fox

Fox

And I decided to build a fox, and then a horse based on the Uffington white horse.

White Horse

Stress Free Living

After painting both and spending a lot too much time working on animating the fox model I realised I needed to build an articulated version of the fox to make the animation easier.

Articulated Fox

In the end I split the body to make the spine articulate.

Fox Drawing

Then made a drawing from the fox model. That will resolve into the scene below.

Fox in the Moonlight

Articulated Fox

I found I would need to build the fox out of something stronger to enable it to stand unaided and for me to change the position.

Flowerbed Drawing 17 03 2025

I also decided to do more work on the flowerbed drawing after it was rejected for the Jacksons Art Prize.

The current state of “Woolgathering” is in these two videos, the second one reduced to five minutes for a competition entry.

 

The rest of time has been spent framing and hanging small paintings in the studio for the open weekend coming up. The hackwork is always like trudging through quicksand and gives surprisingly few rewards when looking at the slightly older work.

Peppers and Fruit

Primrose, woodland plants, leBrun bather, Dunnock

Small Foxes, Apples, Candles, Interior and Glassware

Prints from large drawings

woodland, pigeons and sparrow, still life.

Drawing

I’ve continued to draw every day;

The February drawings can be seen here

and the January images here

There is a link to the previous month’s Gallery on each page.

The drawings are posted to  Instagram each day.